Happy anniversary, Christa! The Blog Collab is officially 18 months old! Slightly older than Bertha Mason (but the Blog Collab has drawn way less blood)!
In honor of the occasion, my blog wife and I have come up with a top 10 list of our favorites from the past year and a half. Our blog collab has truly been one of the best things I’ve ever done, and I’m really proud of us for sticking with it even when we thought we couldn’t stand to watch yet another wasp sting to the eye or nightmarish wax baby (thanks, Stung and Hellraiser II, respectively).
Without further ado, here are my 5 picks (of 10)!
Blog Collab Top 10 (in no particular order):
Maybe slightly in order because this is my favorite of all the films we’ve watched, except We Are the Best! You won’t see another film like this one, described as the first Iranian vampire Western. The dialogue is sparse, the vampire remains aloof yet seems very human, and the black-and-white footage is beautiful. And there’s a cat plus terrifyingly specific threats to skateboarding children, so I approve. Love the slow build and clever subversion of what you may expect to happen when a girl walks home alone at night.
I don’t think it’s a coincidence that some of our favorites have been quirky independent foreign films. Like the previous film, the love is reflected in the making of this one, focusing on 3 Swedish girls forming a punk band in the ‘80s. Haters tell them punk is dead, but the girls hold on to their convictions and support each other in the pursuit of punk. This film is such a great ode to girl power, and I wish I had been even half as cool as this girl band when I was 13.
Any discussion of punk and feminism would be incomplete without Kathleen Hanna. Founder of the Riot Grrrl movement and all-around badass, of course she had to deal with sexist critics airing her dirty laundry and accusing the members of Bikini Kill of having no musical talent. What is amazing is her dedication to feminism and music despite battling Lyme disease for many years. The subject of this documentary is truly inspiring, and this is another film where you can feel the love it was made with. You’ll be singing “Deceptacon” forever if you watch.
Alien tentacle monsters attack a small island along the Irish coast, and you expect some unbearably awful B movie, right? But you get several things you might not expect from this type of film: gorgeous Irish landscapes, reasonable special effects, grumpy old Irishmen, and that self-awareness that’s now almost a prerequisite for monster movies. This film is surprisingly funny and suspenseful, and it’s impossible not to get attached to the characters, even the ones whose thick small-town Irish accents are virtually incomprehensible.
If you’re looking for plot-driven film, this probably won’t be your cup of tea. What this comedy has going for it is bizarre, deadpan dialogue, well-drawn memorable characters, and sharp satire. The very loose plot follows 2 women who become lesbian prostitutes, which involves a surprising number of Talbots gift cards, merkin salesmen, and being busted by the police (but only as a fetish, of course). Also worth mentioning: Madeleine Olnek’s other feature, Codependent Lesbian Space Alien Seeks Same, and her upcoming Emily Dickinson comedy starring Molly Shannon (cannot WAIT).
See the remaining 5 over at A Voluptuous Mind!
There’s a reason it was easy to pick the absolute worst film we’ve reviewed. SO bad. Nothing redeeming about this—effects, dialogue, acting, plot, and characters are all abysmally awful. If you’re not familiar with the idea of the monkey’s paw, it’s basically a cautionary tale about unintended consequences. None of the unintended consequences are particularly interesting or seem designed with the characters in mind; they could be happening to literally any human anywhere in the world. It’s just a cookie cutter device in a cookie cutter movie. Not even close to being good bad.
These are realistically only getting a mention because we watched so recently during Shark Month. Both surprisingly good considering they are made-for-tv shark movies. 12 Days of Terror is the only shark period drama I can think of, and Mega Shark vs. Mecha Shark is one of the few I can think of that actually makes an effort in terms of plot and character (and feminism!).
New Zealand horror-comedy that’s more funny than creepy about Kylie, a woman under house arrest who realizes her childhood home is haunted. Really fun to watch, and there are some great quirky supporting characters. Kylie’s mother is great and appears in colorful sweaters (apparently she’s been typecast as the mom who wears weird sweaters, as she does so in the excellent Hunt for the Wilderpeople as well).
Worth watching for the beards of Robert Carlyle and Guy Pearce alone (sweaters are an added bonus). I will always support horror period pieces—this one rather originally takes place in a 19th century military outpost in California. Plot is a bit shaky, and this isn’t one of my highest ratings, but the creepiness of Robert Carlyle’s bloody smile and the chemistry between the 2 leads is insane. I have never wanted 2 men to cannibalize an entire military fort together so much.
I wasn’t going to include this one, but my entire post felt like a lie without it. An ABC Family original movie starring Jane Seymour, this is a pure cheese fest with some unintentionally deep commentary about ageism in Hollywood sneaking in there. Some of the musical numbers are incredibly cringe-worthy, and the original songs are schmaltzy, but this was one of my favorite TV movies we watched. It allowed me to feel warm and fuzzy and cynical all at the same time.
Mermaids! Teen angst! Duct tape Batman costumes! All of this and more in my blog other half’s post!
What I’m trying to say is go visit Christa’s blog for the rest of this list and some important honorary mentions I’ve neglected.
Here’s to another 18 months…and who knows, maybe even 18 years!