I can’t believe this free blogging month is nearly over–though, of course, October is truly the most wonderful time of the year on the Blog Collab. The challenge this year will be out-doing a film featuring Pam Grier with a shotgun; honestly, should we just call it a day and try again in 2020?
A woman seeks revenge against the drug ring responsible for her sister’s heroin addiction.
If you can’t handle a ‘70s vibe, get out of this kitchen, as this is possibly the most ’70s film you will watch.
Outside of an extremely retro nightclub, a junkie waits for the big time drug dealer inside. She will do anything to get a hit—a rather more appealing prospect to the dealer when it turns out the junkie is Coffy, played by Pam Grier.
Upon retiring to a private apartment, Coffy reveals she’s had an ulterior motive all along: rather than a junkie, she is a woman seeking vengeance against those she holds responsible for her sister’s addiction to heroin. Both the dealer and his driver fail to live past this night.
A nurse by day, Coffy visits her sister in rehab every week–not the typical stone-hearted killer. Though in a relationship with Howard, a hopeful for an upcoming congressional race, her boyfriend is keen to keep their relationship out of the public eye. Perhaps his reasons for the secrecy move beyond commitment issues? (Hint: they totally do.)
After her ex-boyfriend cop, Carter, is put in a coma, Coffy has added incentive to take down the drug dealers, police officers, and political insiders victimizing the black community. When she confronts a sex worker, Coffy gains intel about the local drug ring and the role of dealer and pimp King George–aka the most stereotypically ’70s pimp to ever grace the silver screen.
Posing as a sex worker, Coffy uses her connection with King George to root out the creeps at the top of the pyramid. Though she has things all sorted out to take care of dealer Vitroni (including gun smuggled in a child’s stuffed lion), Coffy’s plan is foiled when Carter’s partner, a corrupt cop, recognizes her and tips off his boss.
Out of her depth and with no friends to be found, how will Coffy manage to save the day and take down a massive drug ring all by herself?
4/5 Pink Panther Heads
I’ll start with the jarring elements of the film: there is a LOT of nudity here that feels EXTREMELY male gaze-y. The standouts here are the cringey cat fight between Coffy and one of the sex workers, as well as the gross scene after Carter is beaten where one of the assailants rather casually attempts to rape Coffy.
As a blaxploitation film, there are some ways in which race is addressed well…and others that feel incredibly problematic. A leading contributor to this is the weirdness of a mostly black cast in a film written and directed by a white man. The way King George meets his end, being dragged behind a car with a noose, is the absolute worst. And while the film’s message isn’t to endorse racism, it does have a voyeuristic feel that makes me wonder if there are people today who genuinely enjoy this scene.
However, the film is very much ahead of its time in its anti-drug themes, and the way it connects these to structural racism in politics and law enforcement. It’s truly tragic the way these ideas will be completely ignored during and in the aftermath of the war on drugs.
The real highlight is, of course, Pam Grier. She succeeds in being a tough but tender lead who is as comfortable wielding a shotgun as caring for her sister. Additionally, she’s a genius at hiding sharp objects in her ‘fro.
I give maximum points for this film’s tagline: “They call her Coffy, and she’ll cream you.”
1 thought on “Coffy, or: Cream & Sugar”
Yey! It was something wasn’t it? Glad we both referenced That Scene. I hadn’t realised it was a white director either. Shiit. God I love Pam, she literally lights this film from within. Off to buy a shot gun and probably some flares x
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