Collaborative Blogging, Film Reviews

Tootsie, or: Feminist February Is Now

Last film of accidental smoking month and, as it turns out, my memory is even worse than I realized.  There is ONE instance of smoking in this film even though it’s 1982.  I thought everyone smoked in 1982.

Though our film this week makes little sense with our inadvertent theme of the month, it does transition us nicely into Feminist February.  After this review, Christa and my sister have seen Tootsie, so I can now say with conviction that I have contributed to the betterment of their lives.

The Film:

Tootsie

Where to Watch:

You’re on your own with this one.  (No, you can’t borrow my copy.)

The Premise:

American classic about Dustin Hoffman impersonating a woman to get acting gigs.  Frequently watched by Liz Lemon.

The Uncondensed Version:

As noted, Dustin Hoffman plays Michael Dorsey, struggling actor whose main (and possibly only) source of income is providing coaching for other actors.

Michael fails to get acting jobs because he’s never quite right for the part—but also because he has a terrible reputation for being difficult to work with.  His goal is to make enough money to be his own boss and put on Bill Murray’s play, who happens to be his roomie and bff.

Both dudes are reasonably sleazy, and Michael is a huge douche to his friend, Sandy.  Michael helps Sandy prepare for a role on the soap Southwest General, but ultimately steals the role as the incredibly cleverly named Dorothy Michaels.

a man comforts a crying woman on a darkened street
“What’s wrong?”  Besides you being a complete asshole?

The super sketchy director immediately says Dorothy’s not right for the role, but her sass impresses a female producer(?), who asks Dorothy to come back and audition.  Dorothy/Michael is definitely interested in costar Jessica Lange, who is sweet but in extreme need of some confidence.

After landing the role, Dorothy has some shopping to do, and it’s quite impressive (if a tad unrealistic) how quickly Michael masters the art of applying makeup.  However, he’s just about to make the major dick move of sleeping with Sandy if only to distract her from the fact that he was trying on her clothes.

a man helps fit a wig to another man's head
A true bff will always help adjust your wig.

Everything seems to be going well until there’s a rewrite of one of Dorothy’s scenes in which she’ll be kissing the creepy older actor (who plays a doctor).  She tries to discuss the scene with the fucking awful director, but he absolutely will not listen, calls all of the women “honey” or “baby,” tries to speak for Jessica, and makes creepy jokes about her being on her knees.  UGH.  At the very last moment, Dorothy hits the doctor on the head with a clipboard, after which the director insists that Dorothy discuss any changes she’d like to make with him beforehand.  And then the doctor kisses her anyway—what a sleaze.

Suddenly Michael finds himself worrying about things he never had to worry about when he was a male actor.  As a female actor, Dorothy has to worry about if she looks pretty enough, whether it will make a bad impression if a man answers her phone, and if she has anything appropriate to wear.  It’s almost like there are a slew of problems women have that men rarely—if ever—have to think about.

a woman walking along a busy sidewalk reaches up to adjust her hair
Did I just lose an earring?

On the other hand, Michael is still a bit of a dick as he lies to Sandy about being sick to avoid her and stands her up for dinner with Jessica Lange.

As it turns out, Jessica has a baby, a really terrible romantic relationship with the director, and quite possibly a drinking problem.  Oh, and a father with a keen interest in Dorothy’s life and career.

an older man and two women stand in a wooded area with a toddler
One big happy family?

Meanwhile, Dorothy is becoming a media sensation because of the sass she brings to her improvised lines.

Things get complicated when Dorothy’s contract is extended from 2 weeks to a year, and Jessica Lange’s father decides to ask Dorothy a very significant question. Michael/Dorothy is developing feelings for Jessica Lange, but he is STILL stringing Sandy along and making really lame excuses for not telling her the truth.  Not cool.

What I love about this film is Michael’s slowly dawning realization of the way he enforces a double standard for men and women, as well as how awful and misogynistic his excuses are regarding his treatment of women.  Fuck the patriarchy.

The Rating:

5/5 Pink Panther Heads

I love this film.  If you ever ask me about Tootsie and I say, “Eh, it’s not that great,” you’ll know I’ve been bodysnatched.  I want to give this film a standing ovation every time Dorothy goes off on the director about calling her “tootsie.”  Also Bill Murray is in this.

There’s a reason this is a classic, and it’s fucked how relevant a lot of this shit is for women in the workplace and their daily lives.

Minor beefs with this movie include the title (a major point of this film was NOT to call women “honey,” “tootsie,” etc, and the name of the fucking movie is Tootsie?!??!  Is it reclaiming the word tootsie???), offhand remarks about rape, the occasional gay joke that has not aged well, and “It Might Be You” getting stuck in my head every goddamn time.

Something’s telling me there might be a review (all of my life)…here on Christa’s blog.

Collaborative Blogging, Film Reviews

The Christmas Collab: A Very Murray Christmas

I promised Christa and Hayley Christmas films would happen even though I am, in my heart, a thoroughly Grinchy human being. We’re shaking things up a bit with the Bill Murray Christmas special, which is not exactly a film but is really the only way to kick off the Christmas Collab.

For a potentially less Grinchy review, see Christa’s blog!

The Film:

A Very Murray Christmas

Where to Watch:

Netflix (US)

The Premise:

I feel the concept here is self-explanatory. Bill Murray. Christmas. Merriment ensues.

The Uncondensed Version:

We set the tone on this one with Bill Murray singing about the Christmas blues with accompaniment from Paul Shaffer. I like to think this is basically what an ordinary day looks like for Bill Murray (from here on, referred to as BM even though, confusingly, those are also my cat’s initials).

a man wearing an antler headband in a hotel room sits with another man
Also approximately as thrilled about wearing festive headbands as my cat.

BM is, of course, super misanthropic—as if he’s stepped right out of Lost in Translation. Since this Christmas special is directed by Sofia Coppola, I suppose that’s not altogether surprising. What is surprising is how nice his voice is. I can’t recall any film roles in which he sings, at least?

So BM’s managers arrive at his apartment to psych him up for the live Christmas special he will be starring in despite NYC being shut down due to a blizzard. However, none of their cheer catches, and BM goes on stage weeping, abruptly walking off stage.

a man looks up to the ceiling in frustration as he holds a microphone onstage in the spotlight
This is my face every time I have to get up early.

Just before getting stuck in one of those nightmarish revolving doors, BM runs into Chris Rock, and persuades him to perform an incredibly awkward turtleneck-ed duet with him in the special. BM is soon off the hook for the special, though, when the studio loses power. Paul and BM are free to lounge around a bar and drink.

At this point I got distracted when my sister dropped this bomb: “I’m not sure how much of a fan I am of Bill Murray.” We almost got into a fist fight.

I had to list off all of the American classics BM has given us: Ghostbusters, Groundhog Day, Tootsie, What About Bob?, Lost in Translation and essentially every Wes Anderson film.

Also my mom thought he was Canadian. The shame consumes me.

To return to the matter at hand…there’s not a whole lot of plot in this special. There are more cameos than you can shake a stick at, and we get a subplot with BM trying to save a wedding. Mostly there are Christmas songs. Lots and lots of Christmas songs, but I can deal since it’s BM.

After the singing, there is drinking, followed by song-and-dance dream sequences.  I forgot to screenshot this part of the special, so I apologize.

There are a few numbers with George Clooney and Miley Cyrus, which we’ve been building to for the duration of the special.

What I like about this special is BM being a bit of a Scrooge and pulling himself out of it. It’s quite admirable.  He has a bit of prompting from Ghost of Christmas Past-type figures with a modern twist, and he finds meaning for himself.  Plus as a Grinch type, misanthropic Bill Murray is the Bill Murray I most identify with.

The Rating:

4/5 Pink Panther Heads

I could’ve done without so many goddamn Christmas songs, but overall I liked it.

Is it just me, or do you really feel like watching Tootsie now? Just me?

Christa? You should probably find out for yourself what Christa thinks about this one in her review here.