Collaborative Blogging, Film Reviews

The Cleaning Lady, or: I Want to Kill You and Wear Your Skin Like a Dress

Another (Halloween) week, another horror film! This one brought to you by ridiculous standards for beauty and overly involved toxic friendships.

The Film:

The Cleaning Lady

The Premise:

A cleaning lady becomes obsessed with her employer, going way overboard with the additional free services no one asked for.

The Ramble:

Scrubbing floors, clearing bathtub drains, blending live rats into a puree…it’s all in a day’s work when you’re a cleaning lady. It’s clear from the get-go that Shelly is a deeply disturbed woman; as they say, watch out for the quiet ones.

Meanwhile, love addict Alice is troubled by her relationship with boyfriend Michael, who is married with a child of his own. Though Michael promises Alice a lovely vacation in Italy, he fails to come through on his promises, and sponsor Miranda encourages Alice to get serious about ending things (again).

A man sits in bed, a woman leaning against him and smiling.

After hiring maintenance worker Shelly under the table to do some cleaning around her apartment, Alice sees an opportunity for a beautiful new friendship to develop. During the day, Alice’s at-home spa and makeover business keeps her busy; in the evening, Alice begins to depend on Shelly to prevent her from contacting Michael.

Shelly is an extremely quiet woman who keeps to herself. Self-conscious about terrible burns on her face, she usually avoids all relationships. Perhaps it’s no surprise when the attention-starved Shelly immediately latches onto Alice with a certain degree of intensity.

A well-dressed blonde woman stands in a kitchen, talking to a dark-haired woman in grungy clothes and a baseball cap.

As it turns out, Shelly has a rather disturbing backstory that explains her twisted behavior. Her mother’s money making techniques were incredibly warped during young Shelly’s childhood–though Shelly certainly finds a way to exact her revenge.

Very quickly, Shelly becomes the friend always pushing Alice to be a better version of herself; in fact, Shelly believes Alice is mere steps away from perfection. Shelly pressures Alice to give up smoking and stay firm in her commitment not to get back together with Michael.

A woman reclines in bed, drinking a cup of tea, while a woman in grungy clothes sits next to her.

Meanwhile, Alice gives Shelly a makeover, even donating a brightly colored dress to wear. This is a big mistake, as Shelly realizes her potential to become more like Alice–including making a mold of her face after she falls into chloroform-induced sleep, thus giving new meaning to a girls’ night in with face masks.

When Alice inevitably reunites with Michael, a distraught Shelly snaps. Witnessing the night out is Michael’s wife Helen, who follows her husband’s car to a creepily remote location. Will Helen arrive in time to help her husband’s mistress–and will she even want to help once she discovers Alice’s identity?

The Rating:

3/5 Pink Panther Heads

Shelly is truly a chilling character whose reactions, though extreme, feel plausible. She embodies the Hollywood (and societal) obsession with perfection, especially in her quest to change and control Alice. In contrast to the external beauty that fascinates Shelly, some of the things she does are absolutely vile and bloodily grotesque. I do applaud the film’s ability to be genuinely disturbing without relying solely on gore to shock viewers (though there’s also plenty of that to go around).

Meanwhile, Alice is perhaps undeserving of the ordeals she experiences at Shelly’s hands, but she is certainly not a flawless character. Let’s not forget that the relationship between the two main characters is possible only because of Alice’s willingness to take advantage of Shelly’s situation. Alice wants a cleaning lady without having to do the work of finding or paying one on the books. In fact, the situation is risky for Shelly as she openly admits her supervisor wants her to perform maintenance–not do cleaning work. However, Alice treats Shelly a bit like her charity project to make herself feel like a good person.

Overall, the film has some interesting messages about privilege, unreasonable beauty standards, and the monsters created in our quest for perfection. However, I’m still puzzling over what just happened in this film, and would’ve liked the creepiness to unfold more slowly, like a…death’s-head moth emerging from a cocoon?

Would my (almost) perfect blog wife make a face mask of this one or blend it into a fine purée? Read her review here to find out!

eight men and women are arranged in a row as they sing emotively
TV Reviews

Crazy Ex-Girlfriend, or: I’m Clearly Not Over You Yet

It’s the end of an era.  The last episodes of Crazy Ex-Girlfriend aired on Friday, April 5:  an ep to conclude the show’s storyline and a live special filmed in LA.  I’m so pleased the show’s creators were able to bring things to a close on their own terms, but it’s still hard to let go.  While far from perfect, CEG is one of my favorite shows in recent memory, featuring a flawed heroine, a cast of memorable supporting characters, and messages about self-acceptance, mental health, sexuality, reproductive health, and the power of female friendship — all told through songs at once hilarious and heartfelt.  I’m going to miss this show.

I’ve seen so many lists ranking the best songs of the series, but this is impossible for me to do.  I’d still like to reflect on the songs and their importance to the show’s themes, so I’ll list some of my favorite songs by category instead.  Here we go!

Female solidarity

“Friendtopia” – the Spice Girls parody/tribute is incredible here, and I wish more songs about girl power involved literal revolutionary action.  Favorite lyric:  “When my friends and I stick together, there’s nothing we can’t do / And when I say that I specifically mean we’re gonna stage a coup.”

“Let’s Generalize About Men” – the fab ’80s style is everything to me, and I appreciate so much how the show crafts songs that support women while simultaneously calling them out.  Among other things, this song draws attention to the problematic gay best friend stereotype.  Favorite lyric:  “Gay men are all really great, every single one / They’re never mean, just sassy / They’re all completely adorable and fun.”

four women dressed in colorful 1980s style dress suits sing the words "Let's generalize about men"

“Women Gotta Stick Together” – while I’m glad Valencia stuck around as a character and experienced growth, I love her thoroughly bitchy early songs.  Though claiming to be about female solidarity, Valencia uses feminism here to remind others of their flaws, a smile pasted on her face throughout.  Favorite lyric: “Women have the power, the power to make a change / Like this girl should pluck her eyebrows, and those jeans should be exchanged.”

“Feelin’ Kinda Naughty” – the show is great at pointing out the creepy underpinnings of so many relationships.  While parodying the fetishization of lesbian relationships, CEG also highlights another way women can convince themselves their bad behavior is somehow female solidarity.  Favorite lyric:  “I want to kill you and wear your skin like a dress / But then also have you see me in that dress / And be like, ‘OMG, you look so cute in my skin.'”

Wallowing a little too hard at your own pity party

“You Stupid Bitch” – this was a real turning point in the show for me; I felt this song so personally and both appreciated that and felt way too exposed.  Favorite lyric:  “These shards are a metaphor for my soul / Can’t stop the self-pity ‘cause I’m on a roll.”

“Tell Me I’m OK” – I hate how accurate these songs are; Rebecca needing assurance from random strangers that she’s normal, and convinced that everyone else knows inherently how to come across as normal.  Favorite lyric: “Seriously, Patrick, was I sick in school the day they taught you how to be a normal person? / It just feels like there’s something fundamental I’m missing out on / Like, is there an instruction manual?”

“Santa Ana Winds” – Rebecca uses the Santa Ana Winds as an excuse for her behavior rather than taking responsibility; she also manages to make herself the center of everything by convincing herself the Sana Ana Winds are out to get her personally.  Eric Michael Roy’s performance absolutely makes this song. Favorite lyric:  “I’m mystical but also carry dangerous spores / I bring whimsy and forest fires.”

a man dressed in a suit dances along the road as cars are backed up along both sides

“The End of the Movie” – another song I wish I didn’t relate to so hard; I just feel like life is supposed to make way more sense than it does.  Plus the Josh Groban cameo is perfectly executed.  Favorite lyric:  “If you saw a movie that was like real life, you’d be like ‘What the hell was that movie about? It was really all over the place’ / Life doesn’t make narrative sense.”

“No One Else Is Singing My Song” – oof, this one hurts because I know I’ve been guilty of wallowing in my own self-pity to the point I’m convinced no one could possibly ever relate to what I’m feeling.  CEG plays this up perfectly in this song, emphasizing that a lot of Rebecca’s isolation is self-inflicted.  Favorite lyric:  “Have you ever been far from home / So scared you had to roam / And now you’re beaten and tired with no one to call a friend (He doesn’t count).”

The power of self-delusion

“West Covina” – so many of Rebecca’s problems come from this place of seeing exactly what she wants to see while denying the reality of the situation.  Favorite lyric: “My life’s about to change, oh my gosh / Because I’m desperately, hopelessly in love with…West Covina.”

“I’m a Good Person” – the uncensored version is everything to me.  Once again, Rebecca looks to others for validation while completely deceiving herself.  Favorite lyric: “Newsflash, fuckwads, I’m a good person / Do what I can for you all the time.”

“Nothing Is Ever Anyone’s Fault” – Rebecca gets so close to self-actualization here, recognizing that her trauma and mistakes have shaped who she is.  Unfortunately, she and Nathaniel are blindly determined to blame their parents for all that has gone wrong in their lives.  Favorite lyric:  “It wasn’t technically Hitler’s fault / Hitler’s brother died and that made him super sad.”

“A Diagnosis” – getting an accurate diagnosis is a huge step for Rebecca, but it’s not going to be an easy journey.  Again, she gets so close to the point, yet misses it entirely, believing that the diagnosis equates to a solution to her problems.  Favorite lyric: “With a diagnosis, I’m ready to blow this joint / And by joint I mean my inner sense of confusion (You said that confusingly).”

a woman in a clinic wears a yellow dress and sings the words "A diagnosis"

“After Everything I’ve Done for You” – poor Paula is just trying to vicariously live out her romantic fantasies through Rebecca, so who can blame her for getting a bit upset when her scheming yields no results?  As this song demonstrates, Rebecca isn’t the only character fixated on fairytale romance.  Favorite lyric: “That’s right, I make yoga class schedules / There’s no limit to where my reach is.”

“Don’t Be a Lawyer” –  I absolutely love the ’90s vibe of this, as well as what I consider (further) confirmation that my decision to work in libraries was the best of my life.  Also shout-out to “I Want to Be a Child Star,” which is great and could have the alternate title “Don’t Be a Child Star.” Favorite lyric: “There are so many other professions that don’t turn you into Jeff Sessions.”

Toxic masculinity

“Fit Hot Guys Have Problems Too” – one of my absolute favorite songs of the entire show, this takedown of toxic masculinity never fails to crack me up.  It’s obnoxious how a group of extremely privileged dudes is holding their own pity party, though at the same time, it’s really their own conception of masculinity holding back their free emotional expression.  Favorite lyric: “Don’t look at us, we’re not dancing for you / Leave us alone, we have to twerk out our sad.”

three men without shirts dance onstage in front of a crowd, singing the words "Twerk out our sad"

“I Go to the Zoo” – playing against type, fuckboy Nathaniel reveals the illegal high he gets to forget about his broken heart:  visiting the zoo after hours.  Favorite lyric: “I look at the monkeys / Their eyes look like my eyes.”

“The Buzzing from the Bathroom” – the idea that Tim’s masculinity is threatened based on his wife’s orgasms is ridiculous, yet it’s a real fear men have. The Les Mis parody makes Tim’s fears seem all the more melodramatic while reminding us there’s a very simple solution here:  just ask what your romantic partner likes.  Favorite lyric:  “Oh, the buzzing, cursed buzzing, that damn incessant hum / I used to think I was a hero / Can’t believe she didn’t come…to tell me that she needed so much more than I could give.”

Problematic narratives surrounding romantic love

“Love Kernels” – the Beyoncé tribute is brilliant, the costuming incredible, and the lyrics inspired.  God, it hurts how desperate Rebecca is and how real it feels.  Favorite lyric:  “I’ll be patient until the kernels rain down like candy on Shaquille O’Neal in the movie Kazaam.

“Fuckton of Cats” — again, the TV version is good, but the uncensored version is exquisite.  Favorite lyric: “This is the future smell of my house / It’s the smell of my dreams that have died (and cats).”

“The Math of Love Triangles” – while love triangles are the bread and butter of rom-coms, they’re not as glamorous as Rachel Bloom’s Marilyn Monroe impersonation. Favorite lyric: “We’re starting to suspect you don’t sincerely want to know about triangles.”

a woman in a blue dress smiles broadly as a group of men wearing glasses look on around her

“One Indescribable Instant” – Lea Salonga sings beautifully about fairytale romance in the vaguest of terms.  Favorite lyric: “What, are you kidding me? / No, it’s for real-able.”

“Oh My God I Think I Like You” – this is surprisingly sweet and sad for a song that focuses so much on intense, no-strings sex.  Favorite lyric: “Is there spermicidal lubricant that can kill the fluttering in my heart?”

“I Hate Everything But You” – I relate to Greg a lot sometimes, most clearly exemplified by this song.  Favorite lyric: “I hate when people ask me if I’d ever get a tattoo / Hate combination conditioner and shampoo.”

Sexuality and sexual health

Cats songs: “Hungry Vagina Metaphor,” “Itchy Vagina Metaphor,” “Funky Vagina Metaphor” – it’s impossible for me to choose a favorite among these, though Fred Armisen’s cameo as Itchy Cat holds a special place in my heart.  I’m impressed with the show’s commitment to exponentially increasing the number of songs written about yeast infections.  Favorite lyric: “Funky cat is all the rage when something’s off with your pH.”

a man dressed as an orange cat crouches on all fours on a couch

“I Gave You a UTI” – Santino Fontana’s performance here is so great, while the song breaks new ground with its subject matter.  At least, as far as I know, there had never been songs about having a UTI until this one.  Favorite lyric: “I’m so good at sex / Your maidenship got wrecked.”

The un-sexiness of sex

“The Sexy Getting Ready Song” – truly an instant classic.  Right off the bat, CEG is interested in examining unrealistic beauty standards for women.  This one focuses on the misconception that looking flawless comes naturally; actually, it’s quite a process that is really painful and often downright disgusting.  Favorite lyric:  “You know what?  I gotta go apologize to some bitches.  I’m forever changed after what I just seen.”

“The First Penis I Saw” – unlike other songs about first love, this one doesn’t hesitate to bring up the awkward, embarrassing side of a first sexual experience.  The ABBA parody is brilliantly done, and Donna Lynne Champlin’s face acting is just so excellent.  Favorite lyric:  literally this entire song.

three women holding vegetables as microphones stand in front of a large squash, singing the words "First penis"

“Let’s Have Intercourse” – taking a romantic Ed Sheeran-style approach to this ballad, Nathaniel manages to make this seduction entirely about himself and his own gratification.  Favorite lyric: “Sometimes my body wants things that my mind does not / My body wants things that make my mind go ‘Body, what?'”

“Strip Away My Conscience” – shattering all of our illusions about sexy stripteases, Rebecca’s number includes throwing a shoe at Nathaniel’s head and reminding him that her thong has just been up her butt.  Favorite lyric: “Baby, it’s such foreplay / When you slither like a moray / EEL.”

Self-acceptance

“Gettin’ Bi” – such a fun song that captures Darryl’s enthusiastic personality while making important and valid points about bisexuality.  Favorite lyric: “It doesn’t take an intellectual to get that I’m bisexual.”

a man in a white suit sings into a microphone as four members of a band play instruments behind him

“Anti-Depressants Are So Not a Big Deal” — I strongly feel this should be required listening for anyone taking anti-depressants or other meds to manage mental illness, as well as people who don’t understand why these medications are so important and necessary.  Favorite lyric:  “Some cry that in the past we didn’t medicate everyone / Cool, witch trials and the crusades / Sounded like so much fun.”

Bonus round

“Dream Ghost” — I absolutely love this song and don’t know what category to put it in. The Dream Girls motown tribute is so catchy in and of itself, while the meta commentary is sharp, and Michael Hyatt’s voice is so perfect for it.  Favorite lyric: “This guy is deciding whether or not to leave his wife / This girl is wondering if she should terminate a pregnancy.”

three women dressed in long, shiny dresses stand in front of a cloud backdrop

“There’s No Bathroom” — the Weird Al cameo this show deserves with the reprise I never would’ve expected.  This song is as bizarrely fun as the man himself (complete with accordion).  Favorite lyric: again, this entire number.

Thanks for sticking with me through this behemoth of a post.  Thanks for the memories, Crazy Ex-Girlfriend!

Collaborative Blogging, Film Reviews

Isn’t It Romantic, or: Gratuitous Karaoke Moment

Last week’s film, which also has a title in the form of a question, was a romantic movie that failed to stir any love in our hearts. This week, our film promises to follow romantic conventions too, even as it picks them apart. Will that be enough to win over our cynical leading ladies (bloggers)? Two guesses.

The Film:

Isn’t It Romantic

The Premise:

Ambitious career lady Natalie avoids romantic entanglements until she’s trapped in a romantic comedy and must find love to escape.

The Ramble:

While growing up with an extremely jaded mother who was quick to shoot down her dreams of finding love, it didn’t take long for Natalie to become wholly disillusioned with the entire concept.

A successful, career-driven architect, Natalie has talent but lacks confidence. Everyone at the office takes advantage of her, easily persuading her to do their jobs and minor errands. Luckily, Natalie has two supporters at work: her assistant and bff Whitney (a hopeless romantic who spends most of her days watching rom-coms) and work buddy Josh (who believes in Natalie and very obviously likes her as more than a friend).

Two women in an office talk while one tries to figure out the photocopier.

Things take a dramatic turn when, attempting to recover her purse from a mugger, Natalie is knocked unconscious. When she wakes up in a beautiful hospital with gorgeous doctors who find her confusion charming, it doesn’t take long for her to realize she’s somehow been transported to a romantic comedy. Even worse, this is a PG-13 rom-com: no sex, no swearing, and definitely no nudity.

When trying to escape her personal nightmare, Natalie is hit by billionaire Blake’s stretch limo. Whereas Blake is an obnoxious client who sends Natalie on errands to bring him coffee in reality, in this version of the world, Blake is well-mannered and clearly interested in Natalie. Realizing she may have to play by rom-com rules to escape, Natalie believes she’ll need Blake to fall in love with her and agrees to a date filled with all of the rom-com tropes.

A man and woman sit next to each other on the counter of a darkened ice cream parlor.

With the help of her gay best friend Donny, who manages to appear when most convenient, Natalie will definitely have the support and over-investment in her love life we’d expect from a rom-com.

A man in matching shirt and shorts with a bold print sits cros-legged on the edge of a large bathtub in an elegant bathroom.

Meanwhile, at work, Natalie finds Whitney has become her archnemesis, who is determined to sabotage her before the big presentation, whatever that may be. Fortunately, Josh is still around to help Natalie navigate her strange new world. This won’t last long as, when Josh saves model Isabella from choking, he is wrapped up in a whirlwind romance. After only a few days as a couple, Isabella and Josh host a fancy party at a beach house in the Hamptons–a party that is, in fact, a surprise wedding!

A man and woman walk next to each other as they talk, crossing a bridge in Central Park.

What happens when it turns out Blake isn’t such a nice guy after all and Natalie becomes determined to stop the wedding? Might karaoke play a rather important role in all of this?

The Rating:

3.5/5 Pink Panther Heads

Not going to lie, this film earned a lot of points with me for its soundtrack, and even with its clichés, I love the Whitney Houston karaoke number. At the same time, the (gratuitous) karaoke scene also brought to mind Crazy Ex-Girlfriend‘s recent rom-com parody episode. CEG overall has an awareness that this film does not, undermining stereotypes successfully in a way that IIR doesn’t, exploring the emotional depth of its characters, and creating moments that offer genuine surprise and nuance.

IIR tries half-heartedly to do this with its opening scene in which Natalie’s resistance to romance is explained by her relationship with her horrible mother, who tells her love is a fairy tale that she doesn’t deserve (implicitly because she’s fat). There are a lot of problems here, but the one that leaps out to me is the implication from this scene that you have to be psychologically damaged to reject the possibility of (extremely heteronormative) romance in your life.

Let’s go back to the lack of self-awareness of this film. It makes me cringe that Natalie comments on the whiteness of rom-coms, yet our only character of color is Priyanka Chopra’s Isabella (who identifies as a yoga ambassador, which would require its own post to unpack). Adding one person of color to your film, workplace, etc. is NOT diversity.

Natalie is wryly funny at times, but it’s aggravating how many times she falls in ways that rely on the hilarious(?) optics of a fat body thudding to the ground. Don’t get me started on her “friendzoning” (barf barf barf) her bff Adam DeVine, whose face has always seemed very punchable to me. He’s just so mediocre that his success makes me angry.

There are also a lot of issues with the film’s attempts to take apart the gay best friend stereotype. While Donny is played by a gay actor (I Googled it), it feels more as if the audience is laughing at him than with him. There are some funny observations about this rom-com staple, like the fact that Donny is unemployed yet somehow financially secure, and dedicates all of his time to improving our heroine’s love life. This film is good at exaggerating, but it doesn’t do particularly well at anything else.

That being said, I did get some genuine laughs from this. Rebel Wilson is quite charming here, though I wish she were a bit more sharply funny and subversive too.

Would my blog wife join in a karaoke duet with this one or leave it to wither away in fantasy rom-com land? Find out in her review here!