Even though the worst offenses in horror are historically committed by masked serial killers, sadomasochistic demons, and/or possessed toys, I’m most easily disturbed by the creepy children of horror. Most likely because horror is very effective when it comes to amplifying the uncanny in everyday situations, and children are already rather confusing and terrifying to me. If it worked for The Babadook, surely it can work for twins in a pastoral Austrian setting?
As a woman recovers from facial surgery, her twin boys begin to believe the face under the bandages isn’t really their mother.
Elias and Lukas are identical twin brothers living in a beautiful but isolated home in the countryside. Though initially relieved when their mother, a reasonably successful TV actress, returns home after major cosmetic surgery, it’s not long before the twins become suspicious. Their mother, whose face must remain bandaged, insists all of the blinds remain closed as she limits her exposure to sunlight. Becoming fixated on cleanliness and quiet, Mother commands that the boys leaver her in peace and play outside only. Holding an undisclosed grievance against Lukas, Mother speaks to Elias but not to his brother.
Despite Mother’s dedication to cleanliness, there are creatures lurking around, including the masses of cockroaches the twins collect in a glass enclosure. If you watch this film, you’re going to spend a lot of time looking at cockroaches, FYI.
After the boys find a cat in…uh, pretty much a catacomb, they take the cat in to help it recover. When the cat ends up dead, they are convinced their mother had something to do with it. Or, rather, they are convinced the impostor pretending to be their mother had a hand in all of this. Mother’s definitely doing little to evoke sympathy as she’s cold during interactions with her boys and quick to anger.
Other unsettling clues emerge when the boys find old pictures of their mother posing with a woman who is seemingly her double, and when they find an online listing of their house for sale. Escaping the house to seek help, the boys attempt to explain the situation to a priest in a nearby town. Perhaps not surprisingly, the priest believes the twins’ mother over the boys’ seemingly exaggerated tale.
Determining that they must take matters into their own hands, Elias and Lukas capture the impostor with bandages and refuse to let her move until she reveals the truth. And the twins seem to have quite the knack for psychological (and physical) torture…
3/5 Pink Panther Heads
It’s on me for choosing a slow burn film and then not particularly feeling like watching a slow burn when it came to viewing time. The film’s conclusion is really disturbingly dark and effective, and I appreciate its willingness to take things to extremes when the time is right. However, some of the subtle efforts to build tension fell a bit flat for me, and I spent quite a bit of the first two-thirds waiting for something to happen. I can see why The Babadook overshadowed this one, honestly (same year of release!).
Because so much of the film is from the twins’ perspective, finally getting some insight into their mother’s behavior is a major turning point in the film. Maybe not surprising as movie twins are almost always up to no good, but Elias and Lukas get so disturbing so fast.
Though much more of a psychological horror than slasher, there are some pretty upsetting moments throughout with bugs, burning, and the use of adhesives. Lots of visual interest in mirrors and doubling does set up questions about identity, reality, and the ways appearances can be used to hide the truth in plain sight. The ways in which grief can be all-consuming becomes increasingly apparent throughout the film in highly spoiler-y ways.
I don’t regret watching this one at all, but I am at least 10x more afraid of twins than before.