Collaborative Blogging, Film Reviews

Shirkers, or: Ladies Before Men Who Are Shady

It’s November, meaning (1) I’ll be eating an excessive amount of turkey and (2) we’ll be doing what we want on the blog.  This week that means getting real via the medium of a documentary about a film about murder.

The Film:

Shirkers

The Premise:

A group of teens in Singapore make a film with their mentor only to suffer crushing disappointment when he and the film reels disappear.

The Ramble:

In 1992, Sandi and her friends Jasmine and Sophie took on the impressive feat of writing, shooting, and starring in a movie.  Sandi wrote the script and starred as a teenaged murderer.  Influenced by the experimental films of ’60s French cinema, the team made a film unlike anything else in Singapore.

Raised by her grandparents with high expectations for her future, Sandi felt more at home with Jasmine’s laid-back, undemanding family.  Bonding over their love of censored films, music, and all things punk, Sandi and Jasmine found a voice through the creation of their own zine.

The lives of Sandi, Jasmine, and Sophie change when they meet Georges, a filmmaker who will become their mentor.  An enigmatic man, Georges lies about his age, date of birth (including day of the month!), birthplace, and–bizarrely–about being the inspiration for James Spader’s character in Sex, Lies, and Videotape.

If Georges doesn’t already scream “major creep” to you at this point, he cranks up the dial by inviting Sandi on a road trip across the United States.  After the trip, Sandi is inspired to write the script for a film called Shirkers.

Determined to make the film and unleash it upon the world, Sandi and Georges drive production forward even when Sophie and Jasmine would prefer to wait.  By her own admission, Sandi is a bit of an asshole during production.  In addition to pouring their hearts into the film, Sandi and Sophie clear out their bank accounts to make it all happen.

At the end of the day, Georges is the one walking away with the film reels.  Sandi and her friends wait eagerly for news of the final product…but only receive a couple of messages from him before he disappears without a trace.

Years pass (23+ in fact) and Sandi feels over what happened with the film.  She has written a novel and gotten married in Vegas.  Sandi has given up all hope of seeing the film reels again when she gets a call from Georges’ wife.  George has passed away, and he’s left behind 70+ reels of film labelled “Shirkers.”

What will Sandi and her friends find on those reels?  And why the eff was Georges such a massive creep?  Answers to at least one of those questions revealed in the documentary.

The Rating:

3.5/5 Pink Panther Heads

I love the girls in this, especially as Sandi and Jasmine embrace their weirdness and the spirit of punk.  This girl gang proudly marches to the beat of their own drum.  Sophie wisely points out that the experience created a unique bond among the three girls, who remain close because of the shared triumph and devastation of creating and losing their film.

However, a good chunk of this film is dedicated to the pursuit of understanding Georges and his decisions.  I can appreciate how this process is a strategy for Sandi to find closure…but sometimes when dudes act like assholes, it’s just because they’re fucking assholes.

Would my blog wife embrace this as part of her girl gang or hide it from the light of day?  Find out here!

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Collaborative Blogging, Film Reviews, Uncategorized

GLOW, or: Gorgeous Ladies of the Blog Collab

Sometimes (and always) we’re so in tune on the Blog Collab that we do the same things whether we intend to or not.  Our latest brainwave came in the form of the Netflix original GLOW.  We were there for the glam ‘80s hair and glitter, but stayed for the zany wrestling personas and the show’s surprising emotional depth.  This month is inspired by GLOW, and the documentary that spawned the TV show is kicking us off to celebrate the Gorgeous Ladies of the Blog Collab, or:  GLOBC…?  Doesn’t have quite the same ring as GLOW.

The Film:

GLOW:  The Story of the Gorgeous Ladies of Wrestling

Where to Watch:

Netflix

The Uncondensed Version:

In case you haven’t watched the original ‘80s show or the updated Netflix series, GLOW was the first women’s wrestling show on TV.  It was surprisingly successful, especially considering that it began as more or less one extended infomercial…with comedy sketch bits, song/dance numbers, and some rather cringey rapping.

Despite the blatant sexism and stereotyping, the women cast on GLOW consider it revolutionary as it allowed them to feel strong and empowered while looking and feeling fab.

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SO MUCH GLITTER.

The show did not begin with great promise–Mando, a real wrestler, trained the women (hired mostly based on looks rather than wrestling prowess) in a run-down gym without proper equipment or safety practices.  After training, things sped along quickly as the GLOW ladies were moved to a hotel in Vegas (because, honestly, where else would this have happened if not Vegas).  As depicted in the show, the ladies are supposed to always stay in character and obey strict rules on curfews and partying.

One of the few wrestlers on the show was Matilda the Hun, who had been trying in vain to find wrestling partners.  She was so hardcore she once literally wrestled a bear and may be my new personal hero.

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In case you’d like some glitter to go with that glitter.

Initially, the creator of the show clashed with the director, who envisioned an over-the-top, campy variety show.  These issues were quickly resolved as the director was also the one with the money behind him.  Some of the ladies look back fondly on their working relationship with the director, while others think he was borderline abusive.

Several of the more memorable personas were Big Bad Mama, a Louisiana voodoo priestess, and the Heavy Metal sisters, who cut things up with a chainsaw and lit shit on fire in the ring.  Ninotchka was the Russian stereotype whose confidence boosted the wrestler herself and made her feel powerful.  The wrestler shares a rather touching moment when she realized her boyfriend was in love with her persona’s confidence–not her.

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Love love love love love.

Just as Machu Picchu is the heart and soul of the Netflix show, Mt. Fiji is the star of the original GLOW (and the documentary).  Fiji was an Olympian and by all accounts the sweetest lady on the show.  It’s heartbreaking to see her current health problems that have largely confined her to a hospital bed.  Many of the women suffered injuries and dead-end careers after GLOW‘s abrupt cancellation.  Several speculate the businessman funding the show stopped because of marital problems that arose as he spent so much time with all of the ladies of GLOW.

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WHOEVER IS CHOPPING ONIONS RIGHT NOW NEEDS TO STOP.

Because the show ended so suddenly, no one felt a sense of closure…which is about to change when one of the wrestlers decides to host a reunion.  If you don’t get emotional seeing the ladies of GLOW reunited, you may have a heart of stone.

The Rating:

4.5/5 Pink Panther Heads

Like the new Netflix show, there is plenty of glitter and over-the-top wrestling mayhem along with lots of heart.  It’s really hard to see the physical and emotional toll the years of wrestling took on these women even though all seem to remember the show fondly whether they found happiness and success in later years or not.  Though all of the ladies were thrilled to be part of a ground-breaking series, they also suffered greatly at the hands of the entertainment industry.  Like most things to emerge from the ’80s:  come for the glitter, stay for the genuine heart.

Would my Gorgeous Lady of the Blog Collab hit it with a bodyslam and leave it down for the count…or crown it champion of the ring (and the collab)?  Find out here!

Collaborative Blogging, Film Reviews

The Wolfpack, or: Cereal Boxes and Yoga Mats

Christa has decided to ramp up the classiness of the blog collab with our first foray into documentary. Bear with me as I’ve never reviewed a documentary except maybe as a school assignment.

You will probably want to read Christa’s review.  Not required reading, but it should be.

The Film:

The Wolfpack

Where to Watch:

Netflix (US)

The Premise:

In a small apartment on the Lower East Side, seven siblings who aren’t allowed to go outside live under the rule of a controlling father. This is almost a fairy tale, isn’t it?

The Uncondensed Version:

Homeschooled and permitted to leave their apartment on rare occasions (under adult supervision), the Angulo siblings reenact their favorite movies to pass the time.

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Exhibit A: Reservoir Dogs

It’s quite impressive, as they have little access to technology and equipment. One of the brothers writes down every line as he watches films and types out scripts on a typewriter. He also makes a Batman costume from cereal boxes and yoga mats and talks about the magic of film. It’s quite adorable.

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Seriously…cardboard and yoga mats.

Their parents are free spirits, giving the children Sanskrit names, long hair, and the sense of being a tribe. Or, as one of the brothers puts it, it’s like a prison. The tribal mentality seems to come from a rejection of the world and their father’s belief in his own enlightenment. This would be cooler if he weren’t so controlling and abusive to their mother.

However, the siblings use the power of film to escape until they begin to venture out on their own when the eldest is 15. As you might expect, the decision to go out exploring leads to some big changes in the way they see the world. The Angulos try to balance their longing for new experiences with the fear of strangers and the outside world instilled in them for the entirety of their lives.

I think the power of this documentary rests with getting to know the Angulo siblings and admiring how genuinely sweet and introspective they are, so I’m going to stop.

Also they have a cat.

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Cat!

The Rating:

4/5 Pink Panther Heads

Quite moving, and those siblings are so adorable it hurts.

It’s so hard not to want to punch the father in the face, esp. when he starts talking about Jesus and forgiveness in the context of him being the Jesus figure, essentially.  It is the absolute worst part of this film.

Thankfully, this documentary focuses on the siblings and their creative power, which is really much more interesting than yet another controlling, emotionally manipulative middle-aged dude.

Does Christa agree? Find out here!