This month is one of the most fun on the Collab, returning for its third year! Welcome to Feminist February 3: The Revenge.
A young woman seeks a place to live and a direction for her life after moving out of her best friend’s apartment.
In her late 20s, unattached, and easily gliding past responsibilities, Frances is living happily with her bff in Brooklyn and quite content to keep things as they are. (As a side note, bless people who name their movies after their lead protagonist because it’s the only way I ever remember character names.)
Anyway, you know a change is coming. After breaking up with her boyfriend when she doesn’t want to move in with him, Frances gets the bombshell that her roommate, Sophie, is buying an amazing apartment in trendy Tribeca. A struggling dancer with a talent for choreography, Frances couldn’t even afford one square foot in the apartment and must quickly find a new place to live.
When she goes on a date with Adam Driver, Frances unknowingly meets her new roommate. Frances moves in with Adam Driver (whose character name I will never remember) and Benji. Though AD is basically a walking, talking sex drive and Benji constantly reminds Frances that she’s hopelessly undateable, she gets along well with her roommates. Benji and Frances bond over music and movie nights, while AD brings ladies back to the apartment and walks around in a towel.
Frances is eager to show off her new place to Sophie, who comes across as overly critical and perhaps a bit jealous. Throw in the added drama of Frances’ disdain for Sophie’s boyfriend, and it’s clear there are some tensions rising beneath the surface of their friendship.
After heading home to Sacramento for the holidays, Frances returns to New York and moves in with one of the dancers in her troupe/I don’t really understand how dance works. While she pretends nothing is wrong, Frances has actually been cut from the Christmas show and is too proud to accept a secretarial role open at the…dance office? Again, not something I’ve ever been even remotely interested in.
During a horrible dinner party, Frances learns that Sophie is moving to Japan with her boyfriend. Impulsively, she decides to spend the weekend in Paris, though absolutely nothing works out while she’s there.
Upon returning to the States, Frances works for her alma mater in Poughkeepsie over the summer as a server during donor events. Sophie, who met Frances while in college, is attending one of the events with her boyfriend and reveals she is engaged. Unable to contain her shock, Frances catches Sophie’s attention and the two bond in a dorm room just like the good ol’ days. When Sophie confesses her reluctance to stay in Japan with her fiancé, Frances jumps on the chance to persuade her to return to NYC. Will the two be reunited for good or settle for always having Poughkeepsie?
3.5/5 Pink Panther Heads
Like Frances herself, this film lends itself to meandering. Gerwig is great in this and I see some strong parallels to themes and characterizations in Lady Bird. However, it’s a bit loose and unstructured for me–more of a slice of life film than one with a dramatically unfolding plot. The relationship between Frances and Sophie is central here and, though strong, is evolving in ways that are bittersweet and uncertain. It’s rough to see the contrast between their life stages and maturity taking a toll on their friendship.
There is some really excellent, funny dialogue, though. The entire argument between Frances and her boyfriend surrounding moving in together and adopting hairless cats is great. I also love the opening scene of the film depicting Frances and Sophie roughhousing in a public park.
My favorite of Frances’ lines is the deceptively simple “I like things that look like mistakes.” While there are perhaps flaws in this one, the search for direction and challenge of growing yet holding on to close relationships ring true. Just maybe with a teensy bit more of a structured plot next time.