Collaborative Blogging, Film Reviews

Mega Shark vs. Giant Octopus, or: Lightning/Megalodon Strikes Twice

When the world no longer makes sense, there’s only one thing on the Blog Collab we can still rely on: awful B-movie shark horror. And this week’s pick sees a return to a franchise that has become legendary on the Collab. That’s right: it all started here for the Mega Shark franchise, and for Debbie Gibson’s film career–honestly, is it possible for a star to burn brighter than when facing off with an ancient shark?

The Film:

Mega Shark vs. Giant Octopus

The Premise:

After an ancient shark and octopus are unfrozen and unleashed on our oceans, it’s up to a small team of oceanographers to stop the creatures.

The Ramble:

For the US military, it’s all in a day’s work to fly a helicopter around the Arctic circle, dropping experimental sonar devices for kicks. In the spirit of truly great sci-fi films, our immediate concern is how this is going to affect the whales. Perhaps unsurprisingly, the answer is unfavorably.

After the sonar drives them berserk, a pod of whales nearly takes out oceanographer Emma MacNeil’s submarine. Even more disturbing, the whales seem to have no regard for their own survival, as they blindly ram into a massive glacier. Worse, disturbing the glacier awakens the creatures trapped inside–one Megalodon (mega shark) and giant octopus.

A group of three scientists in white coats observe an off-camera whale, while three men in suits in the background look sternly on.

Later, Emma examines the body of a beached whale that seems to have met the wrong end of a propeller. However, on closer inspection, she discovers the animal was killed by a living creature…one with absolutely massive teeth. Meanwhile, a drilling platform off the coast of Japan is attacked by something large and tentacly that vanishes as quickly as it appears.

After being fired for essentially taking a submarine for a joyride, Emma seeks advice from her former teacher and mentor, the delightfully Irish Lamar Sanders. Using only the most sound scientific logic, Sanders argues that the creature is a Megalodon. People have been seeing sea monsters since the beginning of time…therefore, giant prehistoric sharks live among us?

Meanwhile–and I shit you not–the mega shark jumps out of the fucking ocean to take down a plane mid-flight. However, bad movie fans know immediately not to get too attached to any of the passengers on this flight, as there’s that one guy who proudly announces his upcoming wedding in two days. Goddammit, dude.

From the perspective of an airplane window, a shark flies through the air, leaping from the ocean.

After Megalodon takes out a huge US Navy battleship, the feds, who have been keeping an eye on the scientists for reasons, bust Sanders’ place. The feds/army/navy/I don’t really know which department coordinates responses to massive shark attacks essentially coerce the scientists to come up with a plan, along with Japanese scientist Dr. Shimada. The three agree to work together, despite the douchey dude asking for help making about 10,000 slurs against the Japanese. FFS, dude. Would you rather be racist or survive a giant shark attack??? Sometimes you have to choose, man. And by sometimes, I mean ALL THE TIME.

3 people look out towards the ocean: an elderly man with graying hair, a blonde woman with hair in a messy bun, and an Asian man wearing glasses.

The initial plan is to somehow contain the two creatures, you know, FOR SCIENCE. You know what this means: we’re gonna need a science montage. Sanders ends up getting the raw end of the deal here, as he continues to vaguely contribute by pouring different liquids into beakers. However, Emma and Shimada, who bond over (surprise) their love of the ocean, secretly hook up. But don’t worry–it’s at least partially for science. After their night together, the two come up with the ingenious idea of luring the creatures with pheromones.

3 scientists crouch in front of a table in a lab, smiling at a glowing substance in a beaker

Predictably, the first plan fails miserably, managing only to piss off the already volatile creatures. Honestly, how the fuck do you contain prehistoric sea creatures anyway? Everyone knows the only way to defeat a Megalodon and a giant octopus with an ancient feud is to let them fight each other. What could possibly go wrong?

The Rating:

3/5 Pink Panther Heads

I just can’t hate you, Mega Shark. Even though the films in the franchise have been a bit of a letdown in terms of the gory shark attacks we’ve come to expect from shark horror, there’s a sort of earnestness I can’t help but appreciate. For a film about a giant shark fighting a massive octopus, it’s quite sweet. The US government listening to science! Concern about climate change and its impact on our oceans! A belief in solutions to global problems that don’t involve blowing things up! Oh, 2009. I miss you.

I will concede that the special effects are not wonderful, and many of them seem to be the same animation but in reverse. There are also no real emotional stakes for the characters, which I would just expect narratively even as I admit having a planet to live on that hasn’t been taken over by prehistoric creatures is a reasonably strong motivation. I expected the film to raise the stakes with people and places the characters cared about falling victim to Megalodon, but (spoiler?) this didn’t really happen. I also really wanted some of the nastier characters here to meet up with our prehistoric shark friend, but we didn’t get any such catharsis.

However, I will give this film so much credit for the following moments that made my life infinitely better:

  • Upon firing Emma, her boss leaving her with the line, “Don’t love the ocean too much; it doesn’t love you back.” Which is both hilariously cold and utterly strange for what I presume is an oceanographer to say?
  • The moments when Megalodon leaps out of the ocean to mercilessly destroy, on separate occasions, an airplane and the Golden Gate Bridge. I honestly teared up a little because I loved these scenes so much.
  • Any time there’s underwater turbulence, and the cabin shakes to a degree worthy of any number of Star Trek episodes.
  • Shimada being an incredibly supportive boyfriend/one night stand when he refers to Emma’s plan–basically having a prehistoric shark fight a giant octopus–as “brilliant.”
  • The US Navy having the unquestionably American backup plan of nuking the fuck out of the ocean if the first plan fails.
  • The incredibly optimistic setup of a sequel…which clearly didn’t happen in the way anticipated yet starred Jaleel White, aka Urkel from Family Matters?!?!?!?!?

Did my blog wife sit front row center with popcorn in hand for this epic showdown or launch the nuclear missiles immediately to put us all out of our misery? Find out in her review here!

Collaborative Blogging, Film Reviews

Mega Shark vs. Mecha Shark vs. My Self-Respect

Just last week I had a bad movie crisis of conscience, asking Christa “Have we become bad movie snobs?” when we weren’t overly impressed with Sharknado.  However, I think this week’s Shark Month offering (could that phrasing be more confusing?) irrefutably proves we have not risen so far above our movie station that we can’t enjoy a film about a giant prehistoric shark fighting a manmade mechanical one.

The Film:

Mega Shark vs. Mecha Shark

Where to Watch:

Netflix (US)

The Premise:

When a Megalodon emerges to terrorize the world’s oceans (for apparently the 3rd time), humanity uses a mechanical shark submarine to fight back.

The Uncondensed Version:

As in Sharknado, there’s virtually no build-up to seeing the titular Mega Shark, which doesn’t bode well, right?  I didn’t think so either.  Our opening scene concerns the most pretentious asshole sea captain ever playing chess and quoting Charles Bukowski to his first mate(?) and seemingly only other crew member.  They are hauling a huge iceberg to Alexandria because of a drought (I swear to god).  Unbeknownst to all involved, the iceberg contains…A MEGA SHARK (spoiler).  Or Megalodon, a word that people impressively use A LOT (or perhaps that’s a commentary on how low my standards have fallen).

A very large shark fin emerges between two large fishing vessels.
That was a long paragraph.  I feel you deserve a picture.

So anyway, immediately following ONE Megalodon attack, all countries of the world unite, and intercontinental travel is banned.  Is a Mega Shark attack REALLY what it takes to bring the world together???

In another surprising move, there’s no build up to the Mecha Shark or montage of it being built.  We cut straight to Rosie and Jack, who have been preparing to use the Mecha Shark to protect the world from Megalodon.  Rosie uses Mecha Shark’s Siri, aka Nero, to pilot the ship.  Shark.  Whatever.  You may believe Nero will go all Terminator and try to destroy humanity, and you may not be entirely wrong.  It’s never a good sign when a computer program insists you say please.  Jack, meanwhile, provides mission control-type support.

Three people look down at a large metallic shark under construction.
What we need’s a montage…

Jack may be the wisest bad movie character ever—he reminds Rosie not to get cocky because that’s when mistakes happen.  He also tells the insane Navy dude to, I don’t know, NOT put nukes in the Mecha Shark.  And then everyone proceeds to say a bunch of scientific shit about alloys as they build a stronger, better, faster shark.  Because science.

Btw, insane Navy dude is kind of a douche.  He insists Rosie pilot the Mecha Shark before Jack can install Nero, who would of course play a vital role in finding and destroying Megalodon.  Jack is not thrilled about this, but is still pretty damn adorable, telling Rosie she could pilot a Rubik’s cube (which I honestly don’t understand, but I’m not mad).

A man stands with his arms around a woman on the deck of a ship.
I, ahem, “ship” them so hard.  Get it?  …Ship…?  (Not sorry.)

Unsurprisingly, this first attempt to defeat Megalodon fails.  Though to be fair, they do fucking torpedo the Mega Shark, and it accomplishes NOTHING.  I feel it would have been a challenge to see that coming.

If at first you don’t succeed in destroying a Mega Shark, try, try again.  After convincing insane Navy dude to let Jack install Nero, Rosie attempts unsuccesfully to kill the shark.  This goes on for a little while with the loss of several ships yet almost a complete absence of bodies/gore(?!).  What kind of shark movie is this, anyway??!

Finally, after consulting with a blonde scientist who may have been a minor ‘80s pop star, Rosie and Jack learn that Sydney was a Megalodon breeding ground in the past.  Rosie heads to Sydney with the Mecha Shark for one final confrontation with the Megalodon.

AND, as predicted, Mecha Shark becomes sentient and tries to kill all humans (sort of).  It’s a classic man vs. shark vs. mecha shark story.

A metallic robot shark makes its way through downtown Sydney.
On a side note, has there been a Nazi shark attack movie?

The Rating:

3.5/5 Pink Panther Heads

I KNOW.  I FEEL CONFLICTED ABOUT IT TOO.  But this was undoubtedly one of the better bad shark movies we’ve watched.  I actually cared about the characters and nearly lost my shit every time it seemed like Rosie was dead (which was a lot).  Btw, Rosie does a lot of the work and is in dangerous situations much more frequently than any of the men in this film, which is such a rare treat in a bad movie.

Rosie and Jack made the most believable couple of any bad movie I can think of, and I worried for most of the movie that one of them would die (which was a refreshing change from hoping the sickeningly sweet movie couple will die painfully).  The two of them bicker quite a lot but support each other unwaveringly.  Jack is possibly the only male character in a bad movie who doesn’t need to constantly prove his masculinity by punching a bear or saying really chauvinistic punchlines.  He actually had a few lines that made me lol…INTENTIONALLY.

As for the effects, I didn’t think they were the worst.  I didn’t feel like they were recycling the same footage over and over again as I did at times in Sharknado.  If you’re looking for a gory bad horror, though, this isn’t it.  The most blood I remember seeing was when Rosie got a cut on her forehead.  For all intents and purposes, the Megalodon just seems to want to fuck with people—we never once see him dismember a surfer or crush anyone’s skull.  I’ve got to say, I can relate.

Was Christa also pleasantly surprised or did she want to destroy all humans after this film?  Read her review here to find out!