Another week, another big gay film review!
My pick for this week is The Foxy Merkins as it’s Madeline Olnek’s latest (director of Codependent Lesbian Space Alien Seeks Same, still one of my favorite films I’ve reviewed, and hands down winner of best title on this blog. Probably also best film title, period).
See what Christa thinks of The Foxy Merkins here!
The Foxy Merkins
Lesbian hooker Jo becomes a mentor to Margaret, who is practically the Kenneth of lesbian prostitutes. Way more 30 Rock references in that summary than I intended.
The Uncondensed Version:
The events of our film unfold in New York City as we follow Margaret, a down on her luck former women’s studies major. Since she can’t find any other work, Margaret has become a lesbian prostitute; however, she’s quite terrible at getting women to pick her up.
It doesn’t take long before Jo, a seasoned pro, takes Margaret under her wing. This is both a blessing and a curse as Margaret could use some help, but Jo is not the expert she believes herself to be. Jo comes from a wealthy family and lives in the bathroom of the Port Authority as an act of rebellion. She gives Margaret advice about going up to women and touching them (which, shockingly, doesn’t go over well) and tells her she is the kind of lesbian other women don’t want to be seen with. Jo is a bit of a frenemy, honestly.
Case in point: Margaret gets tickets to see the digitally remastered Lassie in theaters (seriously), and Jo gives her pointers on picking up a woman who’s giving her the eye. The end result is the woman crawling on the floor and eating Margaret’s popcorn. Literally. Not a euphemism, you guys.
Meanwhile, there is a bit of an ongoing subplot involving finding Margaret’s mom. When Margaret and Jo look for her in a graveyard, they encounter a man in a trench coat selling merkins (editor’s note: a merkin is a wig for, uh, down there. Maybe you already knew that, but I didn’t. Or if I did I repressed it LIKE YOU’RE SUPPOSED TO). So anyway…it’s all coming together, and our title makes sense now.
Margaret and Jo go back to their usual spot to find clients, standing outside of Talbots. In terms of getting picked up, Margaret is still not having a ton of luck—one woman was interested until she realized the 70% off sign was for Talbots, not her. This seems to turn around a bit when a wealthy woman approaches Margaret, asking her to meet her at a particular hotel within the hour. As it turns out, this woman’s fetish is being busted by the police, so she hires men to come to the room and arrest Margaret. Poor Margaret doesn’t realize all of this is a setup until Jo tells her. Understandably, she feels a bit betrayed.
Later, Margaret recognizes the woman as a Republican Congresswoman. Jo reveals she “accidentally secretly” recorded Margaret with the Congresswoman and wants to sell the tape to CNN. This is a major dick move, as Margaret expresses her discomfort with the idea of becoming rich and (in)famous because of a sex tape.
Though the plot is not really the point of the film, I’m going to leave you in suspense about what happens with the sex tape and Margaret’s growing feelings for Jo. There is some excellent dialogue where both plot points are concerned.
Much like Codependent Lesbian Space Alien, this film is driven by message and character over plot. Both films use sort of a documentary style, and a lot of the comedy is based on the awkwardness of the characters and dialogue.
There are a lot of nice comedic touches, like Margaret and Jo always have to compliment the cleanliness and general appeal of their client’s homes. And I HAVE to mention that when Margaret rejects payment in the form of a Talbots gift card, the client tells her, “Every other time I’ve been to a lesbian hooker, they’ve accepted a gift card to Talbots.”
I think Codependent was a bit more successful as it was more bizarre and had more likeable characters. In Codependent, even Zylar, who was a total player and broke one of the other alien’s hearts, was still likeable and funny. However, in Foxy Merkins, Margaret was basically the only decent human being. Jo was funny but also sort of terrible in contrast to how sweet and genuine Margaret was.
Still another solid film from Madeleine Olnek. I did some searching, and apparently girl just got a Guggenheim Fellowship…I hope that means she’s making a shitload of films.
I think Codependent Lesbian Space Alien is a bit more quirky and fun to watch, but this is still worth seeing. Make it your mission to watch Codependent Lesbian Space Alien Seeks Same.
In other news, someone searching for “moon nazis are coming” found my blog (Iron Sky was the first film I reviewed for this blog). DREAMS DO COME TRUE.