Collaborative Blogging, Film Reviews

The Power of the Dog, or: Hiding Secrets & Secret Hides

*Spoilers follow*

For better or worse, most of the content we consume for the Blog Collab isn’t exactly an award contender. Let this month be the exception, then, as we catch up on some of the Oscar nominees we missed out on (which is most of them). And not to worry–I won’t be the 10 millionth person on the internet to weigh in on the slap.

The Film:

The Power of the Dog


Jane Campion

The Premise:

A controlling cattle rancher clashes with his sister-in-law and her son as everyone hides secrets from everyone else on a remote ranch.

The Ramble:

If there’s anything driving the economy of 1920s Montana, it’s cattle. Cattle and secrets. No one exemplifies this more than rugged, hypermasculine rancher Phil Burbank, as hot-tempered as his brother George is calm and compassionate. Phil seems to find joy only in belittling others (constantly calling George “fatso”) and fondly remembering his mentor Bronco Henry, no doubt an equally delightful legend of the West.

Two men ride horses side by side, a vast open landscape stretching out behind them.

While driving cattle through the harsh Montana landscape, the Burbanks and their team stop at an inn owned and operated by widow Rose and her son Peter. Phil immediately makes an impression by mocking the sensitive Peter, an aspiring doctor, while George attempts to make amends. It’s not long before George and Rose are married, to Phil’s dismay.

As Peter goes away to medical school, Phil turns his full attention to tormenting Rose, already rather on edge. Phil undermines and embarrasses her at every turn, while easily earning points even in polite society based on his reputation for being an unrelenting asshole.

A man wearing a bowler hat looks at a woman with short blonde hair, a tall mountain range behind them.

When Peter returns for the summer, he once again becomes a target of Phil’s scorn ostensibly for his tenderness. However, it’s when Phil has a change of heart that his attention acquires a troubling tone. Taking Peter under his wing, Phil teaches his new student to ride a horse and begins braiding a lasso, promising to show Peter how to use it before the season ends. And color the whole world surprised when it’s revealed that Phil has been guarding a secret for many years related to the nature of his relationship with Bronco Henry.

As Rose observes Phil’s influence on Peter, she despairs more and more, reflected in the secret liquor stashes she has throughout the house. The hostility between Rose and Phil reaches its peak when she trades cattle hides for a pair of gloves–hides that Phil considers his property.

A man reclines in the shade next to a young man, looking out at a grassy field.

In the midst of all this, Peter seems to be heading towards a rather dramatic choice between his mother and Phil–one that will involve more sexually tense rope braiding than expected.

The Rating:

3.5/5 Pink Panther Heads

There’s nothing wrong with this film, and I do support Jane Campion getting the Best Director Oscar for this–despite that problematic comment about the Williams sisters in her Critics’ Choice Awards acceptance speech (which is not ok).

In thinking about the film itself, it’s not bad by any means, though its intentional pacing becomes plodding at times. This is a very classic Hollywood film, and it makes sense to me that it had so much Oscar buzz. It feels we’re about halfway through the film before much happens beyond setup, and it’s so subtle in places that I had to rewind to catch the intention behind certain lines of dialogue. I support the messaging on toxic masculinity so much, though it would have been nice for Kirsten Dunst to have something more interesting to do.

Benedict Cumberbatch deservedly gets a lot of credit for his performance in this film, and I can’t argue with that. He manages to pull off truly terrifying and charismatic without becoming cartoonishly evil. The cinematography is gorgeous too, though the film was actually shot in New Zealand, not Montana.

On the Collab, 75% (conservatively) of what we do is watch weird films, and this one honestly lacks some of the gutsy innovation that our favorite picks tend to share. I believe this is the 5th Best Picture nominee I’ve watched for the 2022 awards season, and I haven’t really been enthralled by any of them. I’m becoming a broken record here, but my favorite film release of 2022 by far was Titane, which is decidedly not the kind of film that the Academy goes for.

I’ll probably remember this one primarily for its inventive approach to murder.

Would my blog wife help this one round up some cattle or annoy it to death with her banjo strumming? Read her review to find out!

Collaborative Blogging, Film Reviews

A Girl Walks Home Alone at Night, or: I Can Take Your Eyes out of Your Skull

Foreign films, round two. This one is Christa’s pick.

I’m not even going to try to create any sort of suspense here; I loved this film (spoiler spoiler spoiler).

See what Christa thought here!

The Film:

A Girl Walks Home Alone at Night

The Premise:

I saw a review describing this as the first Iranian vampire western. I would also argue it is the first (only?) feminist vampire movie. With a cat.

The Trailer:

The Uncondensed Version:

There’s a cat in this film, and it’s actually pretty important to the (admittedly not overly involved) plot. I was initially afraid this was going to get all Gummo, but don’t worry—nothing bad happens to the cat. (I guess that’s a spoiler, but whatever. If you’re the kind of person who doesn’t care what happens to the cat at the end, you deserve to have all film endings spoiled. Probably).

a man drives a vintage car with a
The cat seriously deserves an Oscar for the range of emotions on its face.

So our protagonist is Arash, a young man who works hard but keeps getting caught up in his father’s nonsense and the general shittiness of living in Bad City. His father is a junkie, gambler, and owes a lot of money to this super shady pimp/loan shark/not 100% sure what his job description is. Whatever he does for a living, he’s a total douche as exhibited by (a) threatening the fucking cat, (b) his “SEX” neck tattoo, and (c) taking Arash’s car as payment for his father’s debts.

It’s okay, readers. This tool doesn’t have long to live. He makes his last mistake by kicking a prostitute to the curb without payment for services rendered. Sketchy dudes of Bad City, beware: you never know who or what is watching you. Spoiler alert: vampire. Totally a vampire. Aaaaaaaaaaaaaaaaaand she kills him.

Later, in what is possibly my favorite moment of the entire film, the vampire threatens to feed a little boy’s eyes to dogs, then steals his skateboard.

a woman wearing a hijab talks to a young boy, telling him "I can take your eyes out of your skull"
Have I ever told you you’re my heeeeeeeeeeeeeeeeeeeeero?

It may not surprise you that Arash meets the vampire one night. He is leaving a costume party dressed as a vampire and has just taken E or something…I don’t know, guys. I have little to no street cred. Whatever he took, it makes one particular streetlamp absolutely fascinating to him, apparently. The vampire approaches him, and he then wraps her in his cape because she feels cold. Then she pushes him on the skateboard to her place. Honestly, this scene was about 10,000x more adorable than I can convey here. They also have basically the most tension-filled non-sex scene ever.

a man and woman stand close together in a room decorated with many posters
Oh my god, just make out already. Now. …Now. …NOW.

When they meet again later, Arash brings the vampire a hamburger; if that’s not love, I don’t know what is. He also gives her stolen earrings and pierces her ears with a safety pin…awwwwwwwww?

The Critique:

Okay, I think she’s the first feminist vampire, and this may be the first feminist vampire movie. Correct me if I’m wrong. I’m not an expert because I think vampires are just not scary at all and have to follow a lot of arbitrary rules. Plus lady vampires usually have to be “sexy” vampires, which is just so infuriating.

Straight talk: this is a majorly hipster-y movie; the vampire listens to music on a record player, has a disco ball in her room, and I think I spotted Michael Jackson on the wall. And sometimes this movie is really bizarre; there’s this scene of a woman dancing with a balloon to sort of operatic music. I’m still puzzling over that one.

However, this is a gorgeous film, part love story, part story of bringing justice to Bad City. So…Iranian vampire western. Accurate. (To be honest, I was thinking of Rango the whole time and expecting the little owl mariachi band to appear at any moment.) Much more of a creepy/suspenseful film than a gory horror.

The director’s next project is apparently “a post-apocalyptic cannibal love story set in a Texas wasteland” where a “muscled cannibal breaks the rule ‘don’t play with your food.” Ana Lily Amirpour, WHERE have you been all my life???

The Rating:

Small Pink PantherSmall Pink PantherSmall Pink PantherSmall Pink PantherSmall Pink Panther 5/5 Pink Panther Heads

We’re doing it; we’re going with a perfect score. I don’t mean to say this is a perfect film that is completely free of WTF moments, but it was original, it was creepy, it was tense, and it had a cat. As close to perfection as possible.

Christa’s review is available here!